Below are some of the courses you’ll have an opportunity to take as a student in this program. Note: This list is intended to give you a quick glimpse into the program’s academic offerings, and should not be used as a guide for course selection or academic advising. For official program requirements see catalog for details.
|BBST 465||Integration Seminar|
Senior level capstone seminar in which the student will search the Bible and the literature dealing with the topic(s) under discussion in the course leading to the discovery of means whereby the subject area may be "integrated" with Biblical truth. The results of the research will be incorporated in a paper or project which will be critiqued by the seminar members and by the professor.
|PHIL 216||Introduction to Philosophy and Aesthetics|
An introduction to the problems, methods and concepts of philosophy with an emphasis on the issues and theories of aesthetics.
|ARTS 107||Drawing I|
An introduction to drawing, perspective, line, shape, value texture and composition.
|ARTS 109||Digital Tools|
An introduction to the terms, tools and techniques of visual computing for artists using the Macintosh platform. This course is designed to train students with basic computer skills and programs such as Adobe Photoshop and Illustrator and to insure digital literacy.
|ARTS 110||2-D Design|
A foundational course devoted to examining, exploring, and applying two-dimensional design concepts, including color theory and composition.
|ARTS 111||3-D Design|
A foundational course devoted to examining, exploring, and applying three-dimensional design concepts, construction and composition.
|ARTS 112||4-D Design|
A foundational course examining, exploring, and applying design concepts as they relate to time (the fourth dimension) and time-based artworks including focused studies in installation art, performance art, and video.
|ARTS 116||History of Western Art I: Prehistoric Through Renaissance|
The first of a two-part survey of Western visual art and architecture, this course explores the ancient origins of Western art as well as its expressions in the Medieval and Renaissance periods. Works of art are discussed in terms of style, meaning, and social context.
|ARTS 126||History of Western Art II: Baroque through Modernism|
The second of a two-part survey of Western visual art and architecture, this course explores the great contributions to this tradition from the seventeenth century through the mid-twentieth century. Works of art are discussed in terms of style, meaning, and social context.
|ARTS 314||Integrated Design I|
Students develop methods of visual communication that draw on the cumulative experience of 2-D, 3-D, and 4-D coursework. Through the use of digital/analog tools and readings related to the current discourse, students explore the process of design and communication.
|ARTS 315||Contemporary Art Trends|
A study of art produced since World War II, focusing on current movements within the international art community.
|ARTS 317||Typography I|
A study of the design and use of letter forms and their direct application to the typographic ideas of contrast, hierarchy, and grids. Students build skills for the art of typesetting and typographic layout, and for expressive typography and conceptual thinking.
|ARTS 321||Historical Development of Design|
An investigation of issues and ideas in the history of design, focusing on the development of the image from the icon to motion graphics. Individual designers and significant design movements will be covered.
|ARTS 333||Graphic Design Forms I|
A critical exploration of current graphic design forms emphasizing core design competencies including color theory, image-text integration and problem solving. A variety of software applications such as Adobe Illustrator, Photoshop and InDesign are used in investigating mass media and examining particular strategies, imagery and delivery.
|ARTS 337||Typography II|
An application of typographic principles to applied communication design projects. Skills for a building typographic relationships with text, content and image are refined. Students also investigate the application of type in a variety of media and dimension, exploring the possibilities of conceptually-based typographic design.
|ARTS 423||Integrated Design II|
A consideration of psychological, technical and aesthetic concerns relating to various types of communication design including 2-D, 3-D and 4-D forms. Emphasis on production processes. Discussions include consideration of art history and its influence within communication design practice.
Apprenticeship program designed to give students first-hand exposure to professional artists, designers and art institutions. Internships individually tailored to meet the needs of the student. Approved internship experiences require student to complete a minimum of 120 hours with one or more mentors or organizations.